Objects Without Us

When we stop talking about the object, does it disappear? Perhaps this is the moment when the object itself comes into existence; when we are taken out of the equation. And what for imagination? Perhaps the object has one. But what is ‘imagination’, other than a human word for something that humans experience themselves.
This is a conversation that took place between Jaspar Joseph Lester, Tony Hall, Gabriel Badamosi, Emma Cocker, Dale Holmes, Michelle Atherton, Amy Davies, Sharon Kivland, Lea Torp Nielsen, Julie Westerman, Andy Welland, Dave and another. It started at 4:15pm on 23rd March 2012, and is still going.
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Happy objects, Sad objects

How can it be that we find a human emotion with an object? Is this an energy inherent in the being of the object, or is it always going to be something we bring to it, that we place onto it? It is impossible to say, impossible to know, impossible to even compare the subjective feelings we feel of these objects. Is feeling knowledge? Is thought knowledge? How do you make sense of your senses?
This is a conversation that took place between Gary Simmonds and other participants (names not noted). It started at 5:00pm on 23rd March 2012, and is still going.
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In-between Words And Pictures

The boundaries are not so solid. Categories such as ‘word’ and ‘picture’ apply to…what exactly?  Where is meaning: emotional response or literal definition? Somewhere in the middle. Could you draw the meaning of an unknown word intuitively? And how is it that English cows say “Moo”, yet French cows say “Maa”?
This is a conversation that took place between Alison Carlier, Tony Hall, Paul Wilson, Robert Wilson and Karen David. It started at 3:00pm on March 23rd 2012 and is still going.
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Painting: Who’s Watching Who?

Is painting a noun or a verb; is painting an object or something that artists do? Alternatively, can painting be an understanding, a knowledge or an experience happening beyond either of these; could painting be a conversation about a painting? And is it something intrinsically artistic, concerned with the nature of being an artist, or is painting the process of learning, like a child, drawing their way into understanding the world?
This is a conversation that took place between Karen David, Tony Hall, Robert Wilson and Gary Simmonds. It started at 3:30pm on 23rd March 2012, and is still going.
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Object abuse asks the question:
who or what is being abused?

Object Abuse has been set up to provide a platform for people to discuss, provoke and question the very nature and orientation of objects. The aim is to readdress the unquestioned drives of our collective pursuits, to turn the tables on the object-subject dynamic.

This investigation’s relevance is reflected in recent developments in philosophy, shifts in our socio-cultural landscape and is finding expression in the visual arts. This questioning of our human-centric perspective is reflected through current ideas found in the works of Bruno Latour, Graham Harman, Quentin Meillassoux, Anselm Franke and others.

The question: what exactly is object abuse is by no means obvious, when you think about it, who is to say the object in question is passive and not active? Also it is worth asking where does the form of abuse originate from? What qualifies abuse, is it quantifiable, can we identify subtler variations? And for that matter; what is an object, or rather can we say what is not an object…with any real certainty?

OA‘s function is to invite a multidisciplinary engagement; to be a forum, a curatorial framework and an archival space.

We welcome expressions of interest and contributions to the ongoing debate.